Metal History Through Fanzines

Virginia Scene Report

Disposable Underground #3 (VA, USA) 1991

Disposable Underground #3 (VA, USA) 1991, Editor: “Richard Johnson”

Issue #2 of DI, out of the Virginia suburbs of Washington DC. Again, Rich was in early grind outfit Enemy Soil, prior to going on to playing in the likes of Agoraphobic Nosebleed and now Drugs of Faith.  This long running zine can now be found online in downloadable format here, both new and old issues.

This issue has live reviews, adverts, reviews, opinions (one from Deceased guitarist Mike Smith) features and interviews with/on the Foundations Forum, Riki Rachtman, Slayer Zine, Cannibal Corpse, Atheist, Autopsy, Bolt Thrower, Coroner, Death, Dark Angel, Grave, Gorguts, Hexx, Fates Warning, Impetigo, Believer, Overkill, Queensryche, Pestilence, Relapse Records, Suffocation, Sacrifice, Unleashed, Century Media and much more…

 

Advertisements

Eruptions From Below #5 (Toronto, Canada) 1993

Eruptions From Below  #5  (Toronto, Canada) 1993. Editor: “Laurie Fortune

Copied and stapled zine out of Ontario (formerly out of Buffalo). Solid and packed with ads, representing the ’93 death metal underground quite well. Features numerous reviews, and (brief) interviews with Cannibal Corpse, Lucifers Hammer, Deteriorate, Angelkill, Exterminance, and more, with the highlights being the killer live reviews of the classic Suffocation, Obituary, and Deicide tours from that year.


Sinistrari Zine #1 (USA), 1992

Sinistrari Zine #1 (USA), 1993. Editor: ZAID

I picked this zine up somewhere around 1992/93, and it quickly became a favorite. Well written, in multiple languages (in some interviews), with well thought-out questions revealing an international vibe that reflected the multi-national unity of the nascent death/black underground. First issue, top notch-not sure if he put any more out. It’s from my home town area of Washington DC, although I can not remember how I got it. There was no editorial, but after some research, it seems it was published by Gelal of the band GRAND BELIAL’s KEY. Anyways, great interviews from a crucial period when there actually was a real ‘scene.’