Disposable Underground #3 (VA, USA) 1991, Editor: “Richard Johnson”
Issue #2 of DI, out of the Virginia suburbs of Washington DC. Again, Rich was in early grind outfit Enemy Soil, prior to going on to playing in the likes of Agoraphobic Nosebleed and now Drugs of Faith. This long running zine can now be found online in downloadable format here, both new and old issues.
This issue has live reviews, adverts, reviews, opinions (one from Deceased guitarist Mike Smith) features and interviews with/on the Foundations Forum, Riki Rachtman, Slayer Zine, Cannibal Corpse, Atheist, Autopsy, Bolt Thrower, Coroner, Death, Dark Angel, Grave, Gorguts, Hexx, Fates Warning, Impetigo, Believer, Overkill, Queensryche, Pestilence, Relapse Records, Suffocation, Sacrifice, Unleashed, Century Media and much more…
Grind Zone #1 (Italy/Spain) ? 1994. Director: “Claudio Cubito” (En Español)
A somewhat mainstream Italian publication, translated into Spanish for Spain (and published by a German conglomerate!), yet containing many cult underground acts in their prime. This goes to show just how far the ‘underground’ was from being really underground by 1994 – only to collapse back into obscurity more or less by 1995-96. Features and interviews with Entombed, Cathedral, Asphyx, Burzum, Tiamat, Samael, Gorefest, Anathema, Amorphis, Cynic, In Flames, Doomstone, Dark Tranquillity, Expulsion, Misanthrope, Osmose Productions, Century Media, Nuclear Blast, Peaceville, Roadrunner, Death, Eucharist, Impaled Nazarene, Absu, Phlebotomized, Sadness, Schizo, Cradle of Filth, Mind Riot, Black Shine, and Sadist.
Intellektual Spew #5 (TN, USA) 1998, Editors: “Bart and Jeff”
Late in the 1990s, print zines were still thriving (despite the internet taking its first stabs at online-zines through DIY sites hosted by Geocities, among others), and Intellektual Spew was a standout in the underground during the time. It was nicely printed and bound, and featured underground bands across the metal spectrum, as by 1998, death and black metal fractured into numerous spin-off subgenres that labels The End Records (interviewed here) began to specialize in. This issue features the likes of an EARLY Arch Enemy (still with the original singer), Rotten Sound, Assuck, Australia’s Damaged, Quebec’s Martyr, Finland’s And Oceans, Incantation, and Agalloch members ‘other’ band Sculptured. There is also an interesting article on homophobia in the metal underground, as well as with Andreas from The End Records. The cover is by notable underground artist Russ Evans.